I'M ONLY WICKED WITH YOU
by JULIE ANNE LONG
Series: The Palace of Rogues #3
Publication date: August 24, 2021
Published by: Avon Romance
Genre: historical romance
He's the battle-hardened son of a bastard, raised in the wilds of New York. She's the sheltered, blue-blooded darling of the London broadsheets, destined to marry a duke. Their worlds could only collide in a boardinghouse by the London docks...and when they do, the sparks would ignite all of England.
Nothing can stop Hugh Cassidy's drive to build an American empire...unless it's his new nemesis, the arrogant, beautiful, too-clever-by-half Lady Lillias Vaughn. The fascination is mutual. The temptation is merciless. And the inevitable indiscretion? Soul-searing—and the ruination of them both. Hugh's proposal salvages Lillias' honor but kills their dreams for their futures...until they arrive at a plan that could honorably set them free.
But unraveling their entanglement inadvertently uncovers enthralling truths: about Lillias' wounded, tender heart and fierce spirit. About Hugh's stunning gentleness, depth, and courage. Soon, Hugh knows that as surely as he'd fight a thousand battles to win her...the best way to love Lillias means breaking his own heart.
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Praise for Julie Anne Long:
“Julie Ann Long reinvents the historical romance for modern readers.” -- Amanda Quick
"Long finds that delectable sweet spot with Angel in a Devil’s Arms, welcoming us all to the cozy warmth of the Grand Palace on the Thames with the peculiar blend of humor and pathos she writes with such aplomb."
-- Entertainment Weekly
“Deploying her usual perfectly calibrated mix of irresistibly dry wit and superbly nuanced characterization, RITA Award-winning Long adds another winner to her Palace of Rogues series with this lushly sensual, exquisitely emotional, and gracefully written tale about two people desperately trying not to fall in love with each other.” -- Booklist (starred review) for Angel in a Devil’s Arms
“Delightful...refreshing. Readers will enjoy this rich depiction of how the past informs but does not dictate the future.” -- Publishers Weekly for Angel in a Devil’s Arms
“Sparkling banter, deep character insights, and a colorful supporting cast bring a clever scheme to life, setting up a series to savor. Historical readers will rejoice with Long’s return to the subgenre and will be intrigued by hints of the next 'Rogues' title.” -- Library Journal (starred review, editor’s pick), on Lady Derring Takes a Lover
“Julie Anne long is a fantastic writer.” -- New York Times and USA Today bestselling author Jayne Ann Krentz
ABOUT THE AUTHOR
Well, where should I start? I've lived in San Francisco for more than a decade, usually with at least one cat. I won the school spelling bee when I was in 7th grade; the word that clinched it was 'ukulele.' I originally set out to be a rock star when I grew up (I had a Bono fixation, but who didn't?), and I have the guitars and the questionable wardrobe stuffed in the back of my closet to prove it.
But writing was always my first love.
I was editor of my elementary school paper (believe it or not, Mrs. Little's fifth grade class at Glenmoor Elementary did have one); my high school paper (along with my best high school bud, Cindy Jorgenson); and my college paper, where our long-suffering typesetter finally forced me to learn how to typeset because my articles were usually late (and thus I probably have him to thank for all the desktop publishing jobs that ensued over the years).
Won a couple of random awards along the way: the Bank of America English Award in High School (which basically just amounted to a fancy plaque saying that I was really, really good at English); and an award for best Sports Feature article in a College Newspaper (and anyone who knows me well understands how deeply ironic that is). I began my academic career as a Journalism major; I switched to Creative Writing, which was a more comfortable fit for my freewheeling imagination and overdeveloped sense of whimsy. I dreamed of being a novelist.
But most of us, I think, tend to take for granted the things that come easily to us. I loved writing and all indications were that I was pretty good at it, but I, thank you very much, wanted to be a rock star. Which turned out to be ever-so-slightly harder to do than writing. A lot more equipment was involved, that's for sure. Heavy things, with knobs. It also involved late nights, fetid, graffiti-sprayed practice rooms, gorgeous flakey boys, bizarre gigs, in-fighting—what's not to love?
But my dream of being a published writer never faded. When the charm (ahem) of playing to four people in a tiny club at midnight on a Wednesday finally wore thin, however, I realized I could incorporate all the best things about being in a band — namely, drama, passion, and men with unruly hair — into novels, while at the same time indulging my love of history and research.
So I wrote The Runaway Duke, sent it to a literary agent (see the story here), who sold it to Warner Books a few months after that...which made 2003 one of the most extraordinary, head-spinning years I've ever had.
Why romance? Well, like most people, I read across many genres, but I've been an avid romance reader since I got in trouble for sneaking a Rosemary Rogers novel out of my mom's nightstand drawer (I think it was Sweet Savage Love). Rosemary Rogers, Kathleen Woodiwiss, Laurie McBain...I cut my romance teeth on those ladies. And in general, I take a visceral sort of pleasure in creating a hero and a heroine, putting them through their emotional paces, and watching their relationship develop on the page. And of course, there's much to be said for the happy ending. :)
And why Regency Historicals? Well, for starters, I think we can blame Jane Austen. Her inimitable wit, compassion and vision brought the Regency vividly to life for generations of readers. If Jane Austen had written romances about Incas, for instance, I think, we'd have racks and racks of Inca romances in bookstores all over the country, and Warner Forever would be the Inca Romance line.
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My rating: 5 of 5 stars
This series to date has been one resounding success after another. Instead of losing my enthusiasm just a little bit with each new book, I only fall in love with the Grand Palace on the Thames and all of its inhabitants more each time. The charm of the quirky boarders like Mr. Delacorte, the proprietresses' atypical friendship and their equally unexpected love matches, and the quick-witted banter between the main characters are just a few things that make me greedily coming back for more. And while some things feel familiar, they aren't so much so that they become stale. Julie Anne Long managed to give this book a completely fresh feel with these main characters. The first half of the book was spent primarily in the boarding house where hilarity and verbal sparring always ensues. Then we got to venture into Lady Lillias' world of privilege as she made sense of society's expectations and where she truly fit in the world in order to find her HEA. The themes of social disparity, classism, duty vs. passion, and a love
Both the hero and heroine believed themselves to be in love with someone else when they met each other. That could have easily gone very wrong, but the transition of their affection never felt too abrupt or unnatural. I think that can be attributed to the work the author put into showing the reader how they fell-despite the odds stacked against them. Not telling us. There was no insta-love to be found, and no epiphany of love switch that was flipped. The characters work for it, and in doing so, the reader reaps all of the rewards.
Lillias is nursing a broken heart, and Hugh is in London to hunt down the missing woman he has his fragile heart set on. Neither are open to romance when they meet, but from day one they sparked competitive friction off of one another.
Mr. Cassidy, she realized, always came out fighting.Which she supposed was flattering:it was a measure of the sort of adversary he saw in her.
It becomes like a game to them to properly fluster the other with sexual innuendoes and wordplay. Yes, they had an unsettling physical reaction to each other, but that inconvenient fact keeps getting compartmentalized in a nice and tidy box. Closed tightly, and tied up with a bow. Perhaps not as tightly as they imagine.
Lillias is a the dutiful daughter of the Earl and Countess of Vaughn, but lately, a bit of a rebel. When she met Hugh in the previous book, she was defiantly smoking one of her father's cigars. Then there was that time she climbed up to the top of the tower of her church and rang the bell just for giggles. She's lived her life in society's highest echelon. She looks the part, she plays the part, but she never really FIT the part. If she felt that her suiters' affections were artificial and her value in that world purely making an advantageous match, she tends to not acknowledge that. Her world is familiar, and there's a measure of comfort in that. Hugh Cassidy is everything unfamiliar and inscrutable to her. He's a man who came from nothing and paved his own way in the world. He sees things through a different lens than her and helps her to see the world with a clarity that she never has before.
He had cracked her open in ways she had not expectedand did not welcome, and all the things she truly waswere emerging. If she were honest,she knew the cracks had begun before he’d even arrived.
When Hugh isn't working to get a rise out of her, he isn't giving much of himself away. He's seen death on the battlefield and the lost his father and brother. He keeps his feelings close to his chest and uses his smile like a weapon. What he doesn't let show is that he yearns to build a real home, his own family, and an empire that will provide for them and at the same time make a real difference in the world. He has a smart business mind, and grand ambitions in politics back in America. He thought that the woman he went to England to find was the one who would fit into all of his well crafted plans. So why is he affected mind, body, and soul by the exasperating Lady Lillias?
She wasn’t to know that she’d stopped his breaththen and any number of times since,which meant the next breath he took after thatwas like the first one he’d ever drawn. So it was likehe was being born anew every time he looked at her.
Lillias and Hugh start playing with fire. What harm could come from exploring a little passion together? A lot it turns out. Both of their expectations for the future go up in a pretty impressive ball of flames. As often found in historical romance, they're busted being...indiscreet shall we say? Hugh does the honorable thing and they're now trapped in circumstances that they can't see a way out of.
She was no safer than opium.Opium only led to disaster.And what was this if not a disaster?
I had to admire the hell out of Hugh for never resenting Lillias at this point or any other. He didn't take out his frustration out on her and he admitted his share of the responsibility. He never took advantage of her attraction to him when she was vulnerable. He was a true gentleman in every respect more so than how the upper class defined the word. There was so much to love about him and to root for. I could only imagine how unmoored he felt when he discovered Lillias' secret affection for her childhood friend just as they were growing closer. Once again, he behaved with total respect towards her and ultimately put her happiness above his own wants time and again. Love is making sacrifice even when it hurts and he illustrated that so beautifully.
One of the things I really appreciated was that Lillias' parents weren't the clichè greedy parents looking to sell their daughter. I know that's an accurate depiction of the culture at the time for the most part, but it gets a little repetitive when reading the same conflict in the genre. Her parents did want a titled match, but they weren't evil caricatures. They truly cared about their kids and their happiness even if they had certain expectations that they expected them to fulfill. They weren't paragons of progressive virtue, they had realistic prejudices and entitled attitudes, but when it counted they made the right choices to look out for their daughter.
The last 5-6 chapters made me emotionally wrung out. Between the absolutely gorgeous writing of Julie Anne Long that made my heart drop and soar from one moment from the next, and the angst I felt for this beautiful couple fighting for their forever, I didn't want the story to end. My eyes were watery and my heart was bursting with happiness as they finally fit everything perfectly in place. And the epilogue! I couldn't wipe the silly grin off of my face. I adored this book! I didn't think anything could top the last book, but I'm Only Wicked with You has managed the impossible task. If you haven't started the series yet, I'm not sure what you're waiting for. You absolutely need these books in your life.
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