A MONSTER LIKE ME by Pamela Sparkman

Heart of Darkness series #2

HELLO STRANGER by Lisa Kleypas

The Ravenels series #4

THE BUTTERFLY PROJECT by Emma Scott

Companion to the Full Tilt series

PLAYING FOR KEEPS by Jill Shalvis

Heartbreaker Bay series #7

UNWRITTEN by Jen Frederick

Woodlands series #5

Cross My Heart by L.H. Cosway

Hearts series #5.75

MOONSHADOW by Thea Harrison

Moonshadow series #1

Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Saturday, July 30, 2022

Blog Tour: The Librarian Spy by Madeline Martin


From the New York Times bestselling author of The Last Bookshop in London comes a moving new novel inspired by the true history of America’s library spies of World War II.


THE LIBRARIAN SPY by MADELINE MARTIN

Series: none
Publication date: July 26, 2022
Published by: Hanover Square Press/HC 
Genre: historical fiction

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SYNOPSIS

Ava thought her job as a librarian at the Library of Congress would mean a quiet, routine existence. But an unexpected offer from the US military has brought her to Lisbon with a new mission: posing as a librarian while working undercover as a spy gathering intelligence.

Meanwhile, in occupied France, Elaine has begun an apprenticeship at a printing press run by members of the Resistance. It’s a job usually reserved for men, but in the war, those rules have been forgotten. Yet she knows that the Nazis are searching for the press and its printer in order to silence them.

As the battle in Europe rages, Ava and Elaine find themselves connecting through coded messages and discovering hope in the face of war.

Purchase your copy now!
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Praise for The Librarian Spy:

“This story blew me away. Readers will be on the edge of their seats as they are transported to 1940s Portugal and France with Madeline Martin's vivid and inspiring characters. The Librarian Spy is a brilliant tale of resistance, courage and ultimately hope.”—Kelly Rimmer, New York Times bestselling author of The Warsaw Orphan
 
“Madeline Martin immerses us in the expertly rendered and fascinating worlds of Lisbon and Lyon during the war as we follow the stories of two brave women who are willing to risk everything for the cause of freedom. Uplifting, inspiring and suspenseful, this is one to savor!” –Natasha Lester, New York Times bestselling author of The Riviera House
 
“Madeline Martin is a fantastic author, and this beautiful, heartbreaking tale of two young women who risk everything as they use the power of words to fight back against the Nazis will have you glued to your chair. The Librarian Spy is a stunning tour de force of historical fiction.”—Karen Robards, author of The Black Swan of Paris
 
“In Madeline Martin’s stirring new novel, readers will be whisked into her brilliantly depicted portrayal of 1940’s Lisbon, Portugal, and Lyon, France. Martin captures the essence of the French resistance in war-riddled France as we race with hearts in our throats through Elaine’s harrowing tale, juxtaposed with Ava’s thrilling and engrossing passages illustrated with sensory delights. Both heroines push the boundaries of their worlds, risking much in their shared missions for survival and hope. Not to be missed, The Librarian Spy is an inspiring novel that highlights the women who dared to resist in the face of adversity." —Eliza Knight, USA Today bestselling author of The Mayfair Bookshop
 
"Martin shows great reverence for the power of the written word in her pacey new novel, The Librarian Spy, set during the tumultuous backdrop of WWII in Lisbon and Lyon, when Nazis attempted to silence the press of the Resistance. This engaging, lively read featured a cast of characters I loved to root for and I couldn’t put it down!"—Heather Webb, USA TODAY bestselling author of The Next Ship Home
 
The danger of Resistance Lyon and the uncertainty of refugee life in wartime Lisbon leap off the page in Madeline Martin's The Librarian Spy. She artfully weaves an incredible, tense tale that will set your heart pounding as her characters navigate life and death decisions in this incredible novel of sacrifice, struggle, and hope. This is historical fiction at its absolute best! —Julia Kelly, international bestselling author of The Last Dance of the Debutante

Excerpt

 April 1943

Washington, DC


There was nothing Ava Harper loved more than the smell of old books. The musty scent of aging paper and stale ink took one on a journey through candlelit rooms of manors set amid verdant hills or ancient castles with turrets that stretched up to the vast, unknown heavens. These were tomes once cradled in the spread palms of forefathers, pored over by scholars, devoured by students with a rapacious appetite for learning. In those fragrant, yellowed pages were stories of the past and eternal knowledge.


It was a fortunate thing indeed she was offered a job in the Rare Book Room at the Library of Congress where the archaic aroma of history was forever present.

She strode through the middle of three arches to where the neat rows of tables ran parallel to one another and carefully gathered a stack of rare books in her arms. They were different sizes and weights, their covers worn and pages uneven at the edges, and yet somehow the pile seemed to fit together like the perfect puzzle. Regardless of the patron who left them after having requested far more than was necessary for an afternoon’s perusal.


Their eyes were bigger than their brains. It was what her brother, Daniel, had once proclaimed after Ava groused about the common phenomena—one she herself had been guilty of—when he was home on leave.


Ever since, the phrase ran through her thoughts on each encounter of an abandoned collection. Not that it was the fault of the patron. The philosophical greats of old wouldn’t be able to glean that much information in an afternoon. But she liked the expression regardless and how it always made her recall Daniel’s laughing gaze as he said it.


They’d both inherited their mother’s moss green eyes, though Ava’s never managed to achieve that same sparkle of mirth so characteristic of her older brother.


A glance at her watch confirmed it was almost noon. A knot tightened in her stomach as she recalled her brief chat with Mr. MacLeish earlier that day. A meeting with the Librarian of Congress was no regular occurrence, especially when it was followed by the scrawl of an address on a slip of paper and the promise of a new opportunity that would suit her.


Whatever it was, she doubted it would fit her better than her position in the Rare Book Room. She absorbed lessons from these ancient texts, which she squeezed out at whim to aid patrons unearth sought-after information. What could possibly appeal to her more?


Ava approached the last table at the right and gently closed La Maison Reglée, the worn leather cover smooth as butter beneath her fingertips. The seventeenth century book was one of the many gastronomic texts donated from the Katherine Golden Bitting collection. She had been a marvel of a woman who utilized her knowledge in her roles at the Department of Agriculture and the American Canners Association.


Every book had a story and Ava was their keeper. To leave her place there would be like abandoning children.


Robert floated in on his pretentious cloud and surveyed the room with a critical eye. She clicked off the light lest she be subjected to the sardonic flattening of her coworker’s lips.


He held out his hand for La Maison Reglée, a look of irritation flickering over his face.


“I’ll put it away.” Ava hugged it to her chest. After all, he didn’t even read French. He couldn’t appreciate it as she did.


She returned the tome to its collection, the family reunited once more, and left the opulence of the library. The crisp spring DC air embraced her as she caught the streetcar toward the address printed in the Librarian of Congress’s own hand.


Ava arrived at 2430 E Street, NW ten minutes before her appointment, which turned out to be beneficial considering the hoops she had to jump through to enter. A stern man, whose expression did not alter through their exchange, confronted her at a guardhouse upon entry. Apparently, he had no more understanding of the meeting than she.


Once finally allowed in, she followed a path toward a large white-columned building.


Ava snapped the lid on her overactive imagination lest it get the better of her—which it often did—and forced herself onward. After being led through an open entryway and down a hall, she was left to sit in an office possessing no more than a desk and two hardbacked wooden chairs. They made the seats in the Rare Book Room seem comfortable by comparison. Clearly it was a place made only for interviews.


But for what?


Ava glanced at her watch. Whoever she was supposed to meet was ten minutes late. A pang of regret resonated through her at having left her book sitting on her dresser at home.


She had only recently started Daphne du Maurier’s Rebecca and was immediately drawn in to the thrill of a young woman swept into an unexpected romance. Ava’s bookmark rested temptingly upon the newly married couple’s entrance to Manderley, the estate in Cornwall.


The door to the office flew open and a man whisked in wearing a gray, efficient Victory suit—single breasted with narrow lapels and absent any cuffs or pocket flaps—fashioned with as little fabric as was possible. He settled behind the desk. “I’m Charles Edmunds, secretary to General William Donovan. You’re Ava Harper?”


The only name familiar of the three was her own. “I am.”


He opened a file, sifted through a few papers, and handed her a stack. “Sign these.”


“What are they?” She skimmed over them and was met with legal jargon.


“Confidentiality agreements.”


“I won’t sign anything I don’t read fully.” She lifted the pile.


The text was drier than the content of some of the more lackluster rare books at the Library of Congress. Regardless, she scoured every word while Mr. Edmunds glared irritably at her, as if he could will her to sign with his eyes. He couldn’t, of course. She waited ten minutes for his arrival; he could wait while she saw what she was getting herself into.


Everything indicated she would not share what was discussed in the room about her potential job opportunity. It was nothing all too damning and so she signed, much to the great, exhaling impatience of Mr. Edmunds.


“You speak German and French.” He peered at her over a pair of black-rimmed glasses, his brown eyes probing.


“My father was something of a linguist. I couldn’t help but pick them up.” A visceral ache stabbed at her chest as a memory flitted through her mind from years ago—her father switching to German in his excitement for an upcoming trip with her mother for their twenty-year anniversary. That trip. The one from which her parents had never returned.


“And you’ve worked with photographing microfilm.” Mr. Edmunds lifted his brows.


A frown of uncertainty tugged at her lips. When she first started at the Library of Congress, her duties had been more in the area of archival than a typical librarian role as she microfilmed a series of old newspapers that time was slowly eroding. “I have, yes.”


“Your government needs you,” he stated in a matter-of-fact manner that broached no argument. “You are invited to join the Office of Strategic Services—the OSS—under the information gathering program called the Interdepartmental Committee for the Acquisition of Foreign Publications.”


Her mind spun around to make sense of what he’d just said, but her mouth flew open to offer its own knee-jerk opinion. “That’s quite the mouthful.”


“IDC for short,” he replied without hesitation or humor. “It’s a covert operation obtaining information from newspapers and texts in neutral territories to help us gather intel on the Nazis.”


“Would I require training?” she asked, unsure how knowing German equipped her to spy on them.


“You have all the training you need as I understand it.”


He began to reassemble the file in front of him. “You would go to Lisbon.”


“In Portugal?”


He paused. “It is the only Lisbon of which I am aware, yes.”


No doubt she would have to get there by plane. A shiver threatened to squeeze down her spine, but she repressed it. “Why am I being recommended for this?”

“Your ability to speak French and German.” Mr. Edmunds held up his forefinger. “You know how to use microfilm.” He ticked off another finger. “Fred Kilgour recommends your keen intellect.” There went another finger.


That was a name she recognized.


She aided Fred the prior year when he was microfilming foreign publications for the Harvard University Library. After the months she’d spent doing as much for the Library of Congress, the process had been easy to share, and he had been a quick learner.


“And you’re pretty.” Mr. Edmunds sat back in his chair, the final point made.

The compliment was as unwarranted in such a setting as it was unwelcome. “What does my appearance have to do with any of this?”


He lifted a shoulder. “Beauties like yourself can get what they want when they want it. Except when you scowl like that.” He nodded his chin up. “You should smile more, Dollface.”


That was about enough.


“I did not graduate top of my class from Pratt and obtain a much sought-after position at the Library of Congress to be called ‘Dollface.’” She pushed up to standing.


“And you’ve got steel in that spine, Miss Harper.” Mr. Edmunds ticked the last finger.


She opened her mouth to retort, but he continued. “We need this information so we best know how to fight the  Krauts. The sooner we have these details, the sooner this war can be over.”


She remained where she stood to listen a little longer. No doubt he knew she would.


“You have a brother,” he went on. “Daniel Harper, staff sergeant of C Company in Second Battalion, 506th Parachute Infantry Regiment, in the 101st Airborne Division.”


The Airborne Division. Her brother had run toward the fear of airplanes despite her swearing off them.


“That’s correct,” she said tightly. Daniel would never have been in the Army were it not for her. He would be an engineer, the way he’d always wanted.

Mr. Edmunds took off his glasses and met her gaze with his small, naked eyes. “Don’t you want him to come home sooner?”


It was a dirty question meant to slice deep.


And it worked.


The longer the war continued, the greater Daniel’s risk of being killed or wounded. 

She’d done everything she could to offer aid. When the ration was only voluntary, she had complied long before it became law. She gave blood every few months, as soon as she was cleared to do so again. Rather than dance and drink at the Elk Club like her roommates, Ava spent all her spare time in the Production Corps with the Red Cross, repairing uniforms, rolling bandages, and doing whatever was asked of her to help their men abroad.


She even wore red lipstick on a regular basis, springing for the costly tube of Elizabeth Arden’s Victory Red, the civilian counterpart to the Montezuma Red servicewomen were issued. Ruby lips were a derisive biting of the thumb at Hitler’s war on made-up women. And she would do anything to bite her thumb at that tyrant. 


Likely Mr. Edmunds was aware of all this.


“You will be doing genuine work in Lisbon that can help bring your brother and all our boys home.” Mr. Edmunds got to his feet and held out his hand, a salesman with a silver tongue, ready to seal the deal. “Are you in?”

Ava looked at his hand. His fingers were stubby and thick, his nails short and well-manicured.


“I would have to go on an airplane, I’m assuming.”


“You wouldn’t have to jump out.” He winked.


Her greatest fear realized.


But Daniel had done far more for her.


It was a single plane ride to get to Lisbon. One measly takeoff and landing with a lot of airtime in between. The bottoms of her feet tingled, and a nauseous swirl dipped in her belly.


This was by far the least she could do to help him as well as every other US service member. Not just the men, but also the women whose roles were often equally as dangerous.


She lifted her chin, leveling her own stare right back. “Don’t ever call me ‘Dollface’ again.”


“You got it, Miss Harper,” he replied.


She extended her hand toward him and clasped his with a firm grip, the way her father had taught  her. “I’m in.”


He grinned. “Welcome aboard.”






ABOUT THE AUTHOR

Madeline Martin is a New York Times and international bestselling author of historical fiction novels and historical romance. She lives in sunny Florida with her two daughters, two incredibly spoiled cats and a husband so wonderful he's been dubbed Mr. Awesome. She is a die-hard history lover who will happily lose herself in research any day. When she's not writing, researching or 'moming', you can find her spending time with her family at Disney or sneaking a couple spoonfuls of Nutella while laughing over cat videos. She also loves travel, attributing her fascination with history to having spent most of her childhood as an Army brat in Germany.


You can find her on:

Tuesday, April 5, 2022

Review: Atomic Anna by Rachel Barenbaum


Three brilliant women.
Two life-changing mistakes.
One chance to reset the future.


ATOMIC ANNA by RACHEL BARENBAUM

Series: standalone
Publication date: April 5, 2022
Published by: Grand Central
Genre: historical fiction

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SYNOPSIS

In 1986, renowned nuclear scientist, Anna Berkov, is sleeping in her bed in the Soviet Union when Chernobyl’s reactor melts down. At that exact moment she tears through time—her first jump – and it’s an accident. When she opens her eyes, she’s landed in 1992 only to discover Molly, her estranged daughter, shot in the chest. Molly, with her dying breath, begs Anna to go back in time and stop the disaster, to save Molly’s daughter Raisa, and put their family’s future on a better path.

In the ‘60s, Molly is coming of age as an adopted refusenik in a Russian enclave of Philadelphia. Her family is full of secrets and a past they won’t share. She finds solace in comic books, drawing her own series, Atomic Anna, inspired by her birth mother, and she’s determined to make it in the world as an artist. When she meets the volatile, charismatic Viktor, their romance sets her life on a very different course.

In the ‘80s, Raisa, a math prodigy, is a lonely teenager with her mother lost to a life of drugs. She devotes herself to studying until a quiet, handsome boy moves in across the street and an odd old woman claiming to be her biological grandmother begins asking for her help. As Raisa finds new issues of Atomic Anna in unexpected places, she notices each comic challenges her to solve equations leading to one impossible conclusion: time travel. And she finally understands what she has to do.

Atomic Anna is a sweeping journey across time, space and the many forms of love. As these remarkable women take responsibility for their choices and work together to prevent the greatest nuclear disaster of the 20th century, they grapple with the power their discoveries hold. No one can control how knowledge is used when it’s out in the world, and just because you can change the past, does it mean you should?

Purchase your copy now!
Amazon |  B&N | iBooks


Praise for Atomic Anna:

“Atomic Anna is a dazzling work of ingenuity and imagination.”
 ―Téa Obreht, National Book Award finalist and New York Times bestselling author of Inland

"A novel of love, suspense, and nuclear technology. Breathtaking."
 ―Gary Shteyngart, New York Times bestselling author of Our Country Friends

"Barenbaum burnishes her reputation as an up-and-coming talent with this audacious time travel story... The threads build toward a deeply satisfying denouement, and the author uses the sci-fi plot device to explore parent-child relationships and questions about the morality of changing the past. Barenbaum dares greatly, and succeeds."
 ―Publishers Weekly (Starred Review)

“In Barenbaum’s skillful hands, a complex concept and structure work beautifully. The book is an incredible achievement with a heartfelt human theme… As ambitious as a Greek tragedy and just as lyrical and unflinching.”
 ―Kirkus (Starred Review)

“Deftly plotted and thrillingly paced, Atomic Anna combines unforgettable characters, historical intrigue, and time travel in a remarkable tour de force that shines a new light on an old story. If you’re looking to be transported, this book is for you.”
 ―Anna Solomon, author of The Book of V.

“Epic, ambitious, and gripping, Atomic Anna is a wildly inventive novel that teems with life and grapples with the big questions of science, art, love, and humanity. Rachel Barenbaum is a propulsive writer who takes readers on a journey through time via the lives of three generations of extraordinary women who come together to try to change the course of history and undo the mistakes of their past. Atomic Anna is a trip through time well worth taking. I couldn't put it down.”
 ―Lara Prescott, New York Times bestselling author of The Secrets We Kept

“The only thing I love more than nuclear physics, time travel, comic books and stories with a decided Russia accent, is Barenbaum’s latest splendid novel, a multi-generational tale with strong, passionate female leads. Brilliantly written, it truly makes you believe in the mysteries of both the universe, time, and the human heart.”
 ―Caroline Leavitt, New York Times bestselling author of Pictures of You and With or Without You



ABOUT THE AUTHOR

Rachel Barenbaum is a graduate of Grub Street's Novel Incubator program. In a former life she was a hedge fund manager and a spin instructor, before moving to the New Hampshire woods to write. She has an MBA from the Harvard Business School and an AB in Literature and Philosophy from Harvard College. A Bend in the Stars is her first novel.

You can find her on:



REVIEW

Atomic AnnaAtomic Anna by Rachel Barenbaum
My rating: 3.5 of 5 stars


As a huge fan of Rachel Barenbaum's A Bend in the Stars, I probably would have been excited to read her follow up regardless of what the plot happened to be. I was extremely impressed with her writing and was already looking forward to seeing what she came out with next. Then I read the synopsis for Atomic Anna and this book became one of my most anticipated reads this year. Why? Because I'm kind of obsessed with time travel novels and there aren't nearly enough out there for me to get my hands on. Beyond that, what really excited me was the prospect of weaving multi-generational female family relationships into that time travel plot. How would time travel help or hinder these women's relationships? Their careers, personal lives, their personal demons? Anna made a lot of bad choices that affected her own personal happiness as well as the generations to follow. The question was whether or not she could pinpoint where so much began to go wrong and reverse it before it even happens.

I'm going to be real when it comes to my feelings about Anna. She was a brilliant woman academically, but when it came to her personal life, she was hopeless. I had a really difficult time liking her for the majority of the book. I admired her intelligence and strength of spirit, however, she was quite selfish in many ways which made it really hard to feel an attachment to her. There were many points of view in this novel, but Anna's is really the central point to everything. Anna's mistakes in regards to her husband Yasha, and their child Molly would ruin so many lives. Yulia and Lazar contributed by being secretive and controlling with Molly causing her to spiral down into addiction, which in turn led her own daughter to suffer because of it. While I did sympathize about Anna's experiences leading up to this, because of the way the storyline is set up, Anna doesn't really go through a gradual progression of enlightenment. She tries to fix things without digging very deeply within herself for the answers, and because of that always seems to fall short of making significant progress. It happens all at once, at the climax of the story, so things felt quite rushed in that regard.

Anna's daughter Molly grows up in America, but she doesn't feel at home there. She's too American to be Russian like Yulia and Lazar who raised her, and she's too Russian to acclimate with the other kids in her school. She loses herself in her art and rebels against the traditional, boring boundaries her parents try to keep her in. If there was any kind of communication and honesty between them, so much could have been avoided. She feels unsupported and unloved and goes looking for it in the worst place possible. From Molly's chapters, you witness so many mistakes on her part you just want to shake her. And that brings us to Raisa, my favorite character of the book.

Raisa was brilliant like her grandmother, but unlike Anna, she was not at the root of the disastrous events in her life. She suffered because of her mother and grandmother, none of it was from her own making. She was a genius, really, and deserved the chance for the bright future she had every capability of achieving. Out of the three women, she was also the only one to have a healthy romantic relationship instead of a toxic one. Raisa had a maturity about her that was so refreshing to read, and I realized I was looking forward to reading her chapters the most. I loved seeing her sweet relationship with Daniel develop, as well as watching her forge a path back to her mother and grandmother before the conclusion.

I thought that the plot was very intricate and it all came together in the end, however it became somewhat chaotic with the different POV switches, multiple timelines, and alternate realities. This book is the opposite of linear. It's kind of a jumbled, jarring, knot of time that you have to pick apart one tiny, twisted piece at a time. That may not be a downside for some readers, but for me personally it caused my reading pace to lag at times. Overall, I did enjoy Barenbaum's writing style once again, and she impressed me with her very original story. It's definitely unlike any other time travel book I've read before so it gets major points for that. I'm very excited to see where this author takes us in the future.

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Tuesday, August 10, 2021

Review: At Summer's End by Courtney Ellis


When an ambitious female artist accepts an unexpected commission at a powerful earl's country estate in 1920s England, she finds his war-torn family crumbling under the weight of long-kept secrets. From debut author Courtney Ellis comes a captivating novel about finding the courage to heal after the ravages of war.


AT SUMMER'S END by COURTNEY ELLIS
Series: Standalone
Publication date: August 10, 2021
Published by: Berkley
Genre: historical fiction

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SYNOPSIS

Alberta Preston accepts the commission of a lifetime when she receives an invitation from the Earl of Wakeford to spend a summer painting at His Lordship's country home, Castle Braemore. Bertie imagines her residence at the prodigious estate will finally enable her to embark on a professional career and prove her worth as an artist, regardless of her gender.

Upon her arrival, however, Bertie finds the opulent Braemore and its inhabitants diminished by the Great War. The earl has been living in isolation since returning from  the trenches,  locked away in his rooms and hiding battle scars behind a prosthetic mask. While his younger siblings eagerly welcome Bertie into their world, she soon sees chips in that world's gilded facade. As she and the earl develop an unexpected bond, Bertie becomes deeply entangled in the pain and secrets she discovers hidden within Castle Braemore and the hearts of its residents.

Threaded with hope, love, and loss, At Summer's End delivers a portrait of a noble family--and a world--changed forever by the war to end all wars.

Purchase your copy now!
Amazon |  B&N | BAM | Google Play | iBooks




Praise for At Summer's End:

“I loved everything about this book: the richly drawn characters, the evocative setting, the very heart and soul of the story within the pages. It’s everything you want in a novel for these times we are in. A sparkling debut from a new author we’re all going to want more from.”—Susan Meissner, bestselling author of The Nature of Fragile Things
 
"Readers will be captivated by this stirring debut of love, family secrets and human frailties. Told with wit and tenderness, this story is as unique as its characters, Bertie and Julian Wakeford, an earl like no other. Ellis deftly captures the devastation of war and what it means to be comfortable in one’s own skin.”—Renee Rosen, bestselling author of The Social Graces

“Ellis’s lyrical, emotional writing brings the beauty of Braemore alive while revealing the complexity of the richly drawn characters as Bertie pursues artistic recognition alongside her emotionally charged love affair with Julian. Historical fiction fans will appreciate this.”—Publishers Weekly

“The lush setting and vivid characters are utterly captivating in Ellis' lovely debut.”—Booklist


ABOUT THE AUTHOR

Courtney Ellis began writing at a young age, and developed an interest in history from her grandfather’s stories of World War II. After obtaining her BA in English and Creative Writing, she went on to pursue a career in publishing. She lives in New York.

Follow her:

At Summer's EndAt Summer's End by Courtney Ellis
My rating: 4 of 5 stars


You never know what to expect when you take a gamble on a debut author. You could be blown away by their raw talent, or you could feel that their writing quality isn't quite up to par. At Summer's End was a pleasant surprise filled with human vulnerabilities, family dysfunction and struggle, and one woman's determined leap of faith to find her place in the world. Not all historical fiction has a heavy theme of romance in it. This one did, and in fact, that was one of the draws for me going into it. It isn't the only area of conflict and interest by far, but it does have a solid place in the forefront of the story. There were two other major focus points: unraveling the Earl of Wakeford's family secrets through flashback chapters, and the outcome of Alberta "Bertie" Preston's summer job at castle Braemore as a struggling female artist. All of this came together to form a cohesive, compelling story that easily drew me in, enticing me to keep reading.

Bertie was what was considered a "spinster" of her time. I hate that word and all of the connotations attached to it. The story takes place in the 1920s when a woman's value was purely measured by her marriageability and child bearing capabilities. Bertie has reached her late 20s as a single woman out of choice which was considered something to be ashamed of at the time. From an early age, her passion centered around creating art and she wants nothing more than to be able to have a career doing what truly makes her happy. Her parents do not agree, and she has become almost invisible in the shadow of her sisters who have faithfully produced the requisite grandchildren.

     I’ve spent my years not looking for a husband, 
not building a family, but painting. 
I am nothing without it, and if I stay here, 
nothing I shall remain.” 
“If that’s how you feel,” said Mother, “then I have failed you.”

When Bertie wins an art contest, the newspaper article about her piece draws the attention of Julian, the Earl of Wakeford. It seems like an opportunity of a lifetime for an unknown, female artist looking to make a name for herself. Going against her parents' wishes, she banks her entire future on the success of one summer at castle Braemore. If she fails, she will have no home to return to and no prospects of commissions to support herself. You can't help but admire the courage it would have taken for a young woman to go after her dream in an all or nothing gamble like this one. Of course, her time taking care of wounded soldiers during the Great War had already shown that she has character and substance beyond her years.

After arriving at the castle, she meets Julian's three siblings: Celia, Roland, and Gwen. On the surface, they seemed like the average affluent, high society family living a life of privilege. She was surrounded by opulence unlike anything she was experienced before and it put stars in her eyes in a way. But her preconceived notions of what life was really like there quickly began to fall apart.

The Earl is a physically and mentally wounded man from the horrors of the war. He and his youngest sister Celia had a falling out which causes much friction in the house. Roland has an odd temperament-one minute exuberant, the next withdrawn. And Gwen has been through hell and back with the loss of her beloved husband and the responsibility of holding her broken family together. Soon, what was once a simple visit to paint the stately home of a noble family becomes something completely unexpected.

    How easily I’d been seduced by the Napiers, 
by their lavish life and their twisted past. 
How gratifying it had been to nurture again, 
to be Julian’s protector. But I couldn’t offer them what they wanted. 
This wasn’t a job for a nurse, and it certainly wasn’t a job for an artist.

Julian is fragile man hiding from his family and the world behind his bedroom door. The only one he allows in his sanctuary is his older sister Gwen, until the young woman he hired comes to his home and begins to open his heart again. Julian was such a quiet man to begin with. Someone who was highly reserved and comfortable in the quiet of his own thoughts. Like Bertie, he was a disappointment to his parents. They wanted someone more outgoing and aggressive to take the reins of the family's legacy. They saw him as weak where he was only kind. Powerless when he was merely soft spoken and gentle. His interactions with his siblings were such a sweet thing to read in his younger years that it was such an injustice he wasn't recognized for the rock he really was for his family.

He and Bertie had other things in common besides the ill-fitting place in their family. They also shared an affinity for art, though he doesn't have the heart to do the things that he once enjoyed. Slowly but surely, Bertie tries to ease him back to taking control of his life once again. Their friendship begins slowly and graduates to confidants and the hint of something more. But will he ever be mentally stable enough to take control of his crumbling life once again? Will his emotional wounds ever mend enough for the two of them to find some sort of happiness together in the future? Julian is very, very unwell. He suffers horribly with grief, guilt, PTSD, and a level of desolation that no one quite knows how to approach. I've heard it said that we never move on from grief, but we find a way to move on with it. Julian must find a way to do so and forgive himself for the things that he thinks are unforgivable.

What I liked about the story was that Bertie's support and love were not the magic key to solving all of his issues. Realistically, she wasn't his cure, and she understood that enough to let him find his way back to her if he could without any recrimination.

    You were always light, Bertie. I would have you know that. 
You were a light, but God forgive me, I couldn’t see past the dark.”

I enjoyed that aspect of it very much, however I did feel that the end was not quite as impactful as I was expecting. I'm not sure what was missing there, but I was left feeling just a tad deflated. Perhaps the section of the story after Bertie left the castle could have used some more exploration and detail. In a way it felt that everything fell together so smoothly and almost too easily after such a build up to the harsh realism of what Julian was struggling with internally. However, that's just my point of view and it didn't cause much of an issue for me. I loved Bertie's unconditional acceptance of Julian-at his very worst and seeing the best of him even when he could not. I also enjoyed learning more about the masks (like Julian's) that were common for soldiers who were disfigured during the war. It's a great reminder of what WW1 soldiers willingly volunteered for in order to protect their loved ones and their country. It was a sacrifice of the ideals of the world that they once knew and the comfort inside their own skin. It's a lifetime sacrifice that should never be forgotten.

If you love a historical fiction with a strong element of romance and mysterious family secrets to be unraveled, this is the perfect book for you. I really enjoyed reading it and look forward to reading more from this author in the future.

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Tuesday, March 9, 2021

Review: The Rose Code by Kate Quinn


The New York Times and USA Today bestselling author of The Huntress and The Alice Network returns with another heart-stopping World War II story of three female code breakers at Bletchley Park and the spy they must root out after the war is over.


THE ROSE CODE by KATE QUINN
Series: Standalone
Publication date: March 9, 2021
Published by: William Morrow
Genre: historical fiction

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SYNOPSIS

1940. As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything—beauty, wealth, and the dashing Prince Philip of Greece sending her roses—but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets. Imperious self-made Mab, product of east-end London poverty, works the legendary codebreaking machines as she conceals old wounds and looks for a socially advantageous husband. Both Osla and Mab are quick to see the potential in local village spinster Beth, whose shyness conceals a brilliant facility with puzzles, and soon Beth spreads her wings as one of the Park’s few female cryptanalysts. But war, loss, and the impossible pressure of secrecy will tear the three apart.

1947. As the royal wedding of Princess Elizabeth and Prince Philip whips post-war Britain into a fever, three friends-turned-enemies are reunited by a mysterious encrypted letter--the key to which lies buried in the long-ago betrayal that destroyed their friendship and left one of them confined to an asylum. A mysterious traitor has emerged from the shadows of their Bletchley Park past, and now Osla, Mab, and Beth must resurrect their old alliance and crack one last code together. But each petal they remove from the rose code brings danger--and their true enemy--closer...

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Praise for The Rose Code:

“The hidden history of Bletchley Park has been waiting for a master storyteller like Kate Quinn to bring it to life. The Rose Code effortlessly evokes the frantic, nervy, exuberant world of the Enigma codebreakers through the eyes of three extraordinary women who work in tireless secrecy to defeat the Nazis. Quinn’s meticulous research and impeccable characterization shine through this gripping and beautifully executed novel.” -- Beatriz Williams, New York Times bestselling author of Her Last Flight

Readers: Prepare to be swept away by The Rose Code. A richly deserved tribute to the WWII codebreakers of Bletchley Park, Kate Quinn’s latest novel is a tour de force. Exhaustive research, vibrant characters, and pulse-pounding suspense combine in a riveting tale destined to be a book-club favorite. I absolutely loved it." -- Kristina McMorris, New York Times bestselling author of Sold on a Monday  

“The Rose Code is a firecracker of a novel! By illuminating the top-secret work done by codebreakers at England’s Bletchley’s Park, Kate Quinn has created a fresh take on World War II and created three unforgettable heroines who use their intelligence, grit, and tenacity to help save the world from Nazis. Clear out your calendar, because once you start reading this one, you won’t put it down.” -- Elise Hooper, author of Fast Girls

“Quinn (The Huntress) returns to WWII in this immersive saga. [Her] page-turning narrative is enhanced by her richly drawn characters and by the fascinating code-breaking techniques, which come alive via Quinn’s extensive historical detail. This does not disappoint.” -- Publishers Weekly (starred review)

“An intricate play of love, loss, betrayal and redemption, Kate Quinn’s novel is every bit as complex and fascinating as the codes being broken at Bletchley Park… Impossibly gripping from start to finish, The Rose Code is a cracking good read!” -- Celia Rees, author of Miss Graham’s Cold War Cookbook  

“A knockout of a story, written by the reigning queen of historical fiction. Quinn’s trio of heroines practically leap off the page in this stunning novel, which melds spy-hunting with love stories that will stir your soul. A book for the ages.” --  Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue   

"The Rose Code is everything you love about an unputdownable novel and more. In her signature fashion, Kate Quinn expertly and vividly breaks wide open the secret world of Bletchley Park’s remarkable codebreakers. An unforgettable war story to be sure, but also a tale of friendship, fortitude, and forgiveness. Utterly satisfying." -- Susan Meissner, bestselling author of The Nature of Fragile Things

“Kate Quinn does it again! This rollicking tale of espionage and female solidarity is a tour de force that will make you laugh and cry at the same time. For the quirky, complicated and unforgettable women of Bletchley Park, beneath the lipstick and lace lurks a gritty life of danger and daring. From frantic efforts to decode Nazi messages to the consequences of treason and secret-keeping in the post-war jubilation, there's never a dull moment. The Rose Code is pure genius and Quinn's best... so far.”
-- Stephanie Dray, New York Times Bestselling author of The Women of Chateau Lafayette


ABOUT THE AUTHOR

Kate Quinn is the New York Times and USA Today bestselling author of historical fiction. A native of southern California, she attended Boston University where she earned a Bachelor’s and Master’s degree in Classical Voice. She has written four novels in the Empress of Rome Saga, and two books in the Italian Renaissance, before turning to the 20th century with “The Alice Network”, “The Huntress,” and “The Rose Code.” All have been translated into multiple languages. Kate and her husband now live in San Diego with three rescue dogs.

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REVIEW

The Rose CodeThe Rose Code by Kate Quinn
My rating: 4.5 of 5 stars


I'm a big fan of Kate Quinn's historical novels, and once again she did not disappoint. I knew a little about this book's subject matter from watching The Imitation Game, a movie about Alan Turing who was one of the famous cryptanalysts at Bletchley Park. I was very interested to read Quinn's spin on the secret code breaking operation. Not only does she always pay exquisite attention to historical detail, but she likes to highlight female heroes in history whom time has forgotten. As typical with other books by this author that I've read, there is a dual timeline, and as the end draws closer, the two timelines converge in a nail biting conclusion. This type of structure really draws my attention in and holds it firmly from beginning to end, even with a lengthy book like this one. I was never once bored, and I never had to push myself to read, waiting for the story to hook me.

There are three main protagonists in the book, and the first is Mabel ("Queen" Mab). Mab is a ball buster from Shoreditch who isn't willing to suffer in poverty like her mother has her entire life. She wants more for herself so she sets out to make it happen. She consumes everything a well-bred, educated woman would have read, she studies and mimics the upper class accent, and busts her butt saving and scrimping to pay for a secretarial course. Mab has had to overcome an incredible amount of adversity just trying to better herself, but she faces it like a warrior. It also hardens her, made her cynical and a shade bitter about the world, but you can't help but admire her strength of will. I could almost picture her as a wolf baring her teeth when someone tries to tell her that something can't be done.

    A good husband might have been the fastest way 
up the ladder toward safety and prosperity, 
but it wasn’t the only way. 
Better to live an old maid with a shiny desk 
and a salary in the bank, 
proudly achieved through the sweat of her own efforts, 
than end up disappointed and old before her time 
thanks to long factory hours and too much childbirth.

Next there was Osla-socialite who rubbed shoulders with the highest echelon of society and from the outside appeared to have a luxurious life most only dreamed of. Secretly, she's shuffled between family members and never feels at home anywhere. Her mother is just a figure in her life rather than a loving parent. She feels lonely all of the time, and set adrift in a purposeless life. When people only view you as a vapid, airhead debutante, it can really damage your self-worth. Yes, she has many financial advantages that others don't, and she doesn't take that for granted, but she wants to feel useful and be seen as worthy. When the war starts, she could have hidden away in Canada, safe with relatives as others made horrific sacrifices for the sake of freedom. She chooses to step into the fire and do her part, even working on plane assembly that she abhors before finding her way to Blechley Park.

    It was the dawn of 1940, 
and she had danced in the New Year 
in a boiler suit and satin sandals with a prince. 
She wondered what else the year would bring.

The last of the three women was Beth. She was painfully shy, and I mean that literally. It was painful for her to converse with others, and painful for the reader to experience it. It was like watching an abused animal reach its paw out over and over and see it get kicked for its efforts. Her mother was toxic. Beth suffered both verbal and emotional abuse from her which was used as a form of manipulation. In order to keep her daughter waiting on her as an unpaid servant, she made her believe that she was stupid. That she was no good to anybody, and she kept her there at home out of the goodness of her heart. But beyond that, Beth is different. Despite what her mother made her believe, she is a highly intelligent woman whose mind sometimes got lost in patterns. She lived inside her own head and it contributed to her inability to comfortably interact in a social environment.

    Are not there little chapters in everybody’s life, 
Beth had read in Vanity Fair only that morning, 
that seem to be nothing, 
and yet affect all the rest of history? 
Too soon to tell . . . 
but perhaps this was, in fact, going to be one of them.

These three very different women are brought together during war, but in normal circumstances probably never would have crossed paths. If they had, I doubt they would have given them a second glance because of preconceived judgements on their character. What they discovered after boarding together at Beth's mother's house, was that they all shared a love of books. They all felt unwanted and alone in the world. And they were all much more than anyone gave them credit for. Although they had love/hate feelings about their exhausting contributions to the code breaking operation at BP, they felt an overwhelming sense of pride that they were doing something significant to end the war. What they were doing was invaluable-something that very few could claim to be able to do. Beth especially almost felt afraid for the war to end, because it meant that she would no longer have a job that gave her purpose. It was the first time in her life when she felt confident that she was doing what she was born to do.

Through the novel, all three women go through a huge amount of character growth. They experience tragedy, loss, triumph, and betrayal. At times, it brings out their ugly side. Lashing out at one another and placing blame where none was deserved. Or being so caught up in their own duty that they failed to prioritize keeping the others from harm. There was a lack of communication between them that caused misunderstandings and life-altering, irreversible damage. At one point, Beth's love interest tells in the same breath that he loves her but sometimes doesn't like her very much. I think I felt the same. If I had one criticism it was that when the three women reunite years later in order to trap the spy who betrayed them, they didn't adequately heal their destroyed friendship. It was all very rushed and not handled with the time it deserved.

The flashbacks tell the reader early on that there will be a traitor among those at BP, someone that was once considered a friend. However, somewhere along the way there are betrayals between the three girls as well. The "present time" 1947 sections are very short but difficult to read. Your dread builds as you get into the second half of the book, waiting for the bombs to go off on their friendship and lives. That's what tells me that the author has done her job making me care about these characters. Even though I got angry at their imperfections, I also hurt for them, and saw the vulnerable human side that is needed to care about them.

In the end, the biggest thing these three very different women shared was finding a family in each other. It was something none of them had before the war, and the thing that they most prized. I believe that made all the heartache worth it.

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